Limited edition 3CD box set of unreleased material
Brand new tracks as if you where there - Halcyon days, not outtakes
10” square, old fashioned tape box style packaging with 24 page 10” booklet
Includes exclusive sleeve notes by Irmin Schmidt and Ian Harrison
2. Waiting For The Streetcar
3. Evening All Day
4. Deadly Doris
6. When Darkness Comes
7. Blind Mirror Surf
8. Oscura Primavera
9. Bubble Rap
1. Your Friendly Neighbourhood Whore
2. Waiting For The Streetcar
3. The Agreement
4. Midnight Sky
6. Spoon (Live)
7. Dead Pigeon Suite
8. Abra Cada Braxas
9. A Swan Is Born
10. The Loop
1. Godzilla Fragment
2. On The Way To Mother Sky
3. Midnight Men
4. Networks Of Foam
5. Messers, Scissors, Fork and Light
7. E.F.S 108
8. Private Nocturnal
10. Mushroom (Live)
11. One More Saturday Night (Live)
Spoon Records and Mute are delighted to announce the release of Can – The Lost Tapes, the long awaited box set of unreleased studio, soundtrack and live material.
The Lost Tapes, out on 18 June 2012, was curated by Irmin Schmidt and Daniel Miller, compiled by Irmin Schmidt and Jono Podmore, and edited by Jono Podmore.
When the legendary Can studio in Weilerswist was sold to the German Rock N Pop Museum, they bought everything, including the army mattresses that covered the walls for sound protection, and relocated it to Gronau.
Whilst dismantling the studio, master tapes were found and stored in the Spoon archive. With barely legible labeling, no one was sure what was on these until Irmin Schmidt and long time collaborator Jono Podmore started to go through over 30 hours of music.
What they found was years of archived material, not outtakes, but rather tracks which had been shelved for a variety of reasons – soundtracks to films that were never released and tracks that didn’t make it onto the final versions of albums due to space.
Irmin Schmidt explains "Obviously the tapes weren’t really lost, but were left in the cupboards of the studio archives for so long everybody just forgot about them. Everybody except Hildegard, who watches over Can and its work like the dragon over the gold of the Nibelungen and doesn’t allow forgetting."
The final cut of tracks, dating from 1968-1977, features studio material recorded at Schloss Nörvenich and Can Studio, Weilerswist with the Can line up of Holger Czukay on bass, Michael Karoli on guitars, Jaki Liebezeit on drums and Irmin Schmidt on keyboards, and on most tracks, vocals from Malcolm Mooney or Damo Suzuki.
Can was formed by ex-student of Stockhausen Irmin Schmidt, who, fired by the sounds of Jimi Hendrix and Frank Zappa abandoned his career in classic music to form a group which could utilise and transcend all boundaries of ethnic, electronic experimental and modern classical music.
Can’s influence is well known and far-reaching and the impact they made on music is felt today as keenly as it ever has been. They themselves have always been impossible to classify and reflecting this, the scope of artists who in recent years have cited Can as a major influence is varied from John Lydon to Radiohead, The Fall to Portishead.
With a phenomenal cannon of work that includes Tago Mago, which celebrated its 40th Anniversary in 2011 (the anniversary release was awarded 5* from MOJO, Uncut, Artrocker and Record Collector), The Lost Tapes is an opportunity to hear unreleased material from this iconic band – whoever thought that would be possible?